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Many of the earliest canonical novels-including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa-were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman'sMany of the earliest canonical novels-including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa-were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism"-her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice....

Title : Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel
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ISBN : 9780801425363
Format Type : Hardcover
Number of Pages : 172 Pages
Status : Available For Download
Last checked : 21 Minutes ago!

Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel Reviews

  • Angela
    2018-11-22 10:05

    Kahn analyzes the "transvestism" of the narrative voices in novels by Defoe and Richardson. Pretty clearly reflects its time of publication, but a well-considered and useful analysis of the use of women's voices by these "fathers" of the novel.